So it’s been a couple of months since the Mechanismus Festival and after seeing just how many amazing local industrial acts that the PNW has to offer, I thought it would be extremely cool to highlight a few of these bands. We’re going to start off with the one band that, personally, stuck out to me the most – Emily & Alex of Webdriver Torso. I was lucky enough to get some time from them to answer 20 questions about their art, music, and other general musings! Enjoy!
1. Where are you both from originally?
Alex: I am originally from Tucson Arizona, I moved to Seattle in 2009.
Emily: Seattle
2. How long have you been actively playing shows/recording music?
Alex: Webdriver Torso itself is about two years old. Our first legitimate live show was in the fall of 2016, after we had released our first two demos.
E: Alex and I started Webdriver after both getting kicked out of our previous bands. I’ve personally been involved with music in one way or another for many years. Actively playing live for maybe 5 or 6.
3. How did you come up with the band name?
E: At some point I became interested in the dark web. I was working a soul sucking desk job at the time and maybe my research had something to do with distracting myself from reality. Ultimately, the dark web seemed a bit outside of my comfort zone in a literal sense, but the idea of it I had built up in my head was its own thing entirely. Webdriver Torso is a pseudo dark web conspiracy, it really takes place on YouTube but there are theories around its connection to the dark web, government mind control, and aliens. I messaged Alex the name thinking it would be great for a metal band. Eventually, when we started working on a project together, it stuck as the best option.
4. What originally got you into industrial music? What about making music in general?
Alex: Industrial music is the cumulative outlet I have for my interests and my aggressions. Music has been a constant in my life, my dad is an incredible guitar player and he was in a prog band in the late 70’s. Before Webdriver, I played bass in an indie-rock band and it was a really good time, but I never tried writing a song until I knew I could be left to my own devices. I’ve had a long running fascination with synthesizers, Emily actually bought me my first little synth (a critter and guitari pocket piano) as a gift. Industrial offers a world where you can combine a very technical approach to creation with an experimental mentality; it obscures the lines between the engineer and the artist. It’s a loud, calculated primal scream. Anyway, I’m naturally a little manic, moody, dark, and I like powertools, ergo, industrial.
E: I’ve been a long term fan of Nine Inch Nails. I really don’t give a fuck what industrial fans have to say about NIN’s role in the genre, I was young when I first heard Pretty Hate Machine and it had a profound effect on the way I thought about music (and still does). For some time I experimented with other types of music but ultimately a very anxiety-ridden time in my life led to a turning point where industrial and EBM helped me understand what I had to do to get out of a toxic mental state. I was literally having out of body experiences I was so detached from my own existence and I started revisiting industrial bands I had lost touch with. As far as making music goes, I always knew I wanted to make music.
5. If you could each pick two albums that had the most influence on your music, what would they be?
Alex: For me, Marilyn Manson’s “Mechanical Animals” is a huge influence on everything I approach musically and aesthetically, In general it’s a really important album to me and has been for years. At the time we started Webdriver Torso I had discovered Ministry’s “Twitch,” and being that I had never used a drum machine before and I didn’t know anything about programming, I decided to use Twitch as a guide. Our first drum machine, the Roland R-8, was from around the same era, so it was fitting. I still think about both those albums as we work on new material and grow into our own sound.
E: Hmmm.. I draw from seemingly non-direct sources of influence mostly. #1, Coil “Horse Rotorvator”. On vocal style, I appreciate Jhonn Balance’s range and the spectrum of absolute chaos or beauty he creates with vocals. This album especially is so fucking insane. The first time I heard it, I felt deeply unsettled, in the best way possible of course. I’m a big fan of looking at Crime Scene Cleaners on instagram (photos of crime scenes sans dead bodies) and this album definitely engages my morbid curiosity in a similar way. Ultimately it evokes something I hope Webdriver can grow to achieve in our own way. #2, Handsome Furs “Plague Park”. This is an album that has stuck with me through so many years. When it was released it surely changed the way I thought about music. I believe this band is criminally overlooked, it has pop-ish song structures but it’s so pessimistic. Simple electronics but genre-bending and relatively complex emotionally.
6. Can you describe your very first stage performance? How did it go?
Alex: It was a house show for a friend’s going away party. It was a giant, dirty, top-floor apartment in a really crummy building on Capitol Hill we also lived in. It was a great party. They got an eviction notice the next day.
E: Pretty much what Alex said. It may have been a Matrix themed party and someone from the other band pointed at our synth setup and said “what is that?”
7. What are your favorites in other media? Books, movies, etc?
Alex: I’ve always been one of those fringe nerds. I love comic books, but I only ever read the weird art-kid ones. I was always more into stuff like Sandman and Spawn and all the weird indie stuff. The comic book store dude would push a bunch of out there stuff on me. Weird comics and alien conspiracy movies were my adolescent introduction to counter-culture. Today, I’m still a nerd. We have a very tightly-curated VHS collection: a bunch of classic sci-fi, horror movies, all the Jodorowsky films, every episode of Star Trek TOS and old MTV stuff like The MAXX and Aeon Flux. My all-time favorite movie is “Heat” Fun fact, Einstürzende Neubauten is in the soundtrack, and Henry Rollins is in it. Classic.
E: I’m all about horror, and dystopian sci-fi everything. To sum it up I love Doom Generation and the anime Ergo Proxy. I probably watch too much Crime TV, and I haven’t tried listening to True Crime podcasts but when I do I’ll probably be addicted.
8. What is your primary source of influence as far as vocals/lyrical content?
E: There are a lot of factors that contribute to how I construct my vocals. My main goal is to work outside of the expectations set by the music industry (or at least attempt to). I never want to hear or see in print “male/female duo” again because it does not define the music in any way whatsoever. Experimenting with a lot of different vocal styles is something I’m constantly doing. My lyrics themselves are influenced by hate, fear, frustration, and anxiety. The state of this country politically is a constant driver in my lyrics, there are personal aspects to my writing as well, but inherently this time is defined by a bullshit administration and the best I can do is scream about my frustrations with that.
9. Your songs don’t have named titles – just filename type labels (Web_001, etc). Why did you decide do go that route?
Alex: It’s a code.
10. How would you describe your music WITHOUT using the word INDUSTRIAL?
E: It’s difficult for our music to only be defined as industrial. I believe genres are an issue because everyone has their own definition of what a genre is defined by and putting a genre label on everything can be somewhat restricting. I’m fond of referring to our music as Dark Electronic because it’s a bit more blanketed. Although, part of the reason we use Industrial so frequently to describe Webdriver is partially because I strongly identify with the outspoken nature of industrial as far as politics, and human/animal rights go.
11. What are your most and least favorite things about being musicians?
Alex: Like many things, it’s a grind, it takes a lot of work to try and pull this off, especially on top of not quitting your day job. Sometimes it just feels like a second job, sometimes it’s hard to justify the stress when not everything is going your way. But then you play a show where someone comes up and talks about how much your music affected them, and how much they enjoyed it, and heck they maybe buy a shirt or an EP. Those moments are when I feel like I’m not just doing a job. I did something, I made something, I yelled and someone heard.
I get a certain high when I create something, I have always needed to work towards a tangible achievement. A product I can observe, share, study and improve upon in the next round. It can take some time to complete, but I get a huge rush when we have completed a song, even if it’s just a demo, I’ll listen to it dozens of times. As a generally scattered person, completing something as simple as demo can give me a grounding that offers an overwhelming calm. Suddenly the stress and self-doubt melts away, and I remember that I have the power to create.
E: Playing live will always be my favorite part of being a musician. The final cathartic release while performing is the ultimate reward. Also, like Alex said, nothing is more important to me than hearing from fans. It’s next level to have anyone like the music we have created and I genuinely appreciate everyone that listens. Least favorite - the lack of practice spaces and dealing with unprofessional people. There are so many amazing bands, bookers, and promoters in Seattle but I have also experienced a lot of poor communication in the past.
12. If you could play a show anywhere in the world – where would you want it to be?
Alex: I haven’t been there, so I don’t know the logistics of this, but I have a daydream of doing some sort of performance in the Sedlec Ossuary (the bone cathedral). One where all the music was written there, and performed only once.
E: Tokyo. I’ve always wanted to go there but the financial factor is a huge barrier. Someday maybe Webdriver will be the force to get me there. Also maybe that H.R. Giger bar in Switzerland, because can you imagine how fucking sick that would be? I don’t know if they even have shows.
13. Dream lineup – Webdriver Torso as the opener, then which two bands follow?
E: Nine Inch Nails is my end-all band to open for. If death wasn’t a factor I would want a redeux of that Bowie/NIN tour and we would open.
1. Where are you both from originally?
Alex: I am originally from Tucson Arizona, I moved to Seattle in 2009.
Emily: Seattle
2. How long have you been actively playing shows/recording music?
Alex: Webdriver Torso itself is about two years old. Our first legitimate live show was in the fall of 2016, after we had released our first two demos.
E: Alex and I started Webdriver after both getting kicked out of our previous bands. I’ve personally been involved with music in one way or another for many years. Actively playing live for maybe 5 or 6.
3. How did you come up with the band name?
E: At some point I became interested in the dark web. I was working a soul sucking desk job at the time and maybe my research had something to do with distracting myself from reality. Ultimately, the dark web seemed a bit outside of my comfort zone in a literal sense, but the idea of it I had built up in my head was its own thing entirely. Webdriver Torso is a pseudo dark web conspiracy, it really takes place on YouTube but there are theories around its connection to the dark web, government mind control, and aliens. I messaged Alex the name thinking it would be great for a metal band. Eventually, when we started working on a project together, it stuck as the best option.
4. What originally got you into industrial music? What about making music in general?
Alex: Industrial music is the cumulative outlet I have for my interests and my aggressions. Music has been a constant in my life, my dad is an incredible guitar player and he was in a prog band in the late 70’s. Before Webdriver, I played bass in an indie-rock band and it was a really good time, but I never tried writing a song until I knew I could be left to my own devices. I’ve had a long running fascination with synthesizers, Emily actually bought me my first little synth (a critter and guitari pocket piano) as a gift. Industrial offers a world where you can combine a very technical approach to creation with an experimental mentality; it obscures the lines between the engineer and the artist. It’s a loud, calculated primal scream. Anyway, I’m naturally a little manic, moody, dark, and I like powertools, ergo, industrial.
E: I’ve been a long term fan of Nine Inch Nails. I really don’t give a fuck what industrial fans have to say about NIN’s role in the genre, I was young when I first heard Pretty Hate Machine and it had a profound effect on the way I thought about music (and still does). For some time I experimented with other types of music but ultimately a very anxiety-ridden time in my life led to a turning point where industrial and EBM helped me understand what I had to do to get out of a toxic mental state. I was literally having out of body experiences I was so detached from my own existence and I started revisiting industrial bands I had lost touch with. As far as making music goes, I always knew I wanted to make music.
5. If you could each pick two albums that had the most influence on your music, what would they be?
Alex: For me, Marilyn Manson’s “Mechanical Animals” is a huge influence on everything I approach musically and aesthetically, In general it’s a really important album to me and has been for years. At the time we started Webdriver Torso I had discovered Ministry’s “Twitch,” and being that I had never used a drum machine before and I didn’t know anything about programming, I decided to use Twitch as a guide. Our first drum machine, the Roland R-8, was from around the same era, so it was fitting. I still think about both those albums as we work on new material and grow into our own sound.
E: Hmmm.. I draw from seemingly non-direct sources of influence mostly. #1, Coil “Horse Rotorvator”. On vocal style, I appreciate Jhonn Balance’s range and the spectrum of absolute chaos or beauty he creates with vocals. This album especially is so fucking insane. The first time I heard it, I felt deeply unsettled, in the best way possible of course. I’m a big fan of looking at Crime Scene Cleaners on instagram (photos of crime scenes sans dead bodies) and this album definitely engages my morbid curiosity in a similar way. Ultimately it evokes something I hope Webdriver can grow to achieve in our own way. #2, Handsome Furs “Plague Park”. This is an album that has stuck with me through so many years. When it was released it surely changed the way I thought about music. I believe this band is criminally overlooked, it has pop-ish song structures but it’s so pessimistic. Simple electronics but genre-bending and relatively complex emotionally.
6. Can you describe your very first stage performance? How did it go?
Alex: It was a house show for a friend’s going away party. It was a giant, dirty, top-floor apartment in a really crummy building on Capitol Hill we also lived in. It was a great party. They got an eviction notice the next day.
E: Pretty much what Alex said. It may have been a Matrix themed party and someone from the other band pointed at our synth setup and said “what is that?”
7. What are your favorites in other media? Books, movies, etc?
Alex: I’ve always been one of those fringe nerds. I love comic books, but I only ever read the weird art-kid ones. I was always more into stuff like Sandman and Spawn and all the weird indie stuff. The comic book store dude would push a bunch of out there stuff on me. Weird comics and alien conspiracy movies were my adolescent introduction to counter-culture. Today, I’m still a nerd. We have a very tightly-curated VHS collection: a bunch of classic sci-fi, horror movies, all the Jodorowsky films, every episode of Star Trek TOS and old MTV stuff like The MAXX and Aeon Flux. My all-time favorite movie is “Heat” Fun fact, Einstürzende Neubauten is in the soundtrack, and Henry Rollins is in it. Classic.
E: I’m all about horror, and dystopian sci-fi everything. To sum it up I love Doom Generation and the anime Ergo Proxy. I probably watch too much Crime TV, and I haven’t tried listening to True Crime podcasts but when I do I’ll probably be addicted.
8. What is your primary source of influence as far as vocals/lyrical content?
E: There are a lot of factors that contribute to how I construct my vocals. My main goal is to work outside of the expectations set by the music industry (or at least attempt to). I never want to hear or see in print “male/female duo” again because it does not define the music in any way whatsoever. Experimenting with a lot of different vocal styles is something I’m constantly doing. My lyrics themselves are influenced by hate, fear, frustration, and anxiety. The state of this country politically is a constant driver in my lyrics, there are personal aspects to my writing as well, but inherently this time is defined by a bullshit administration and the best I can do is scream about my frustrations with that.
9. Your songs don’t have named titles – just filename type labels (Web_001, etc). Why did you decide do go that route?
Alex: It’s a code.
10. How would you describe your music WITHOUT using the word INDUSTRIAL?
E: It’s difficult for our music to only be defined as industrial. I believe genres are an issue because everyone has their own definition of what a genre is defined by and putting a genre label on everything can be somewhat restricting. I’m fond of referring to our music as Dark Electronic because it’s a bit more blanketed. Although, part of the reason we use Industrial so frequently to describe Webdriver is partially because I strongly identify with the outspoken nature of industrial as far as politics, and human/animal rights go.
11. What are your most and least favorite things about being musicians?
Alex: Like many things, it’s a grind, it takes a lot of work to try and pull this off, especially on top of not quitting your day job. Sometimes it just feels like a second job, sometimes it’s hard to justify the stress when not everything is going your way. But then you play a show where someone comes up and talks about how much your music affected them, and how much they enjoyed it, and heck they maybe buy a shirt or an EP. Those moments are when I feel like I’m not just doing a job. I did something, I made something, I yelled and someone heard.
I get a certain high when I create something, I have always needed to work towards a tangible achievement. A product I can observe, share, study and improve upon in the next round. It can take some time to complete, but I get a huge rush when we have completed a song, even if it’s just a demo, I’ll listen to it dozens of times. As a generally scattered person, completing something as simple as demo can give me a grounding that offers an overwhelming calm. Suddenly the stress and self-doubt melts away, and I remember that I have the power to create.
E: Playing live will always be my favorite part of being a musician. The final cathartic release while performing is the ultimate reward. Also, like Alex said, nothing is more important to me than hearing from fans. It’s next level to have anyone like the music we have created and I genuinely appreciate everyone that listens. Least favorite - the lack of practice spaces and dealing with unprofessional people. There are so many amazing bands, bookers, and promoters in Seattle but I have also experienced a lot of poor communication in the past.
12. If you could play a show anywhere in the world – where would you want it to be?
Alex: I haven’t been there, so I don’t know the logistics of this, but I have a daydream of doing some sort of performance in the Sedlec Ossuary (the bone cathedral). One where all the music was written there, and performed only once.
E: Tokyo. I’ve always wanted to go there but the financial factor is a huge barrier. Someday maybe Webdriver will be the force to get me there. Also maybe that H.R. Giger bar in Switzerland, because can you imagine how fucking sick that would be? I don’t know if they even have shows.
13. Dream lineup – Webdriver Torso as the opener, then which two bands follow?
E: Nine Inch Nails is my end-all band to open for. If death wasn’t a factor I would want a redeux of that Bowie/NIN tour and we would open.
14. Which bands/artists had the greatest impact on your musical style?
Alex: Well on top of the basics like Manson and Ministry like I mentioned before, I have an eclectic mix of music heros. Laurie Anderson has always been an big inspiration to me, she experimented with making her own tape and midi instruments, and her performances were intensely involved productions with a narrative, theatrics and really imaginative visuals. I really respect artists that can create a whole world around their music, and it’s something I aspire to do.
E: When we first started Webdriver I think I was listening to a lot of Clock DVA, Front 242, Nine Inch Nails, and Coil. Clock DVA is the kind of artist that has created a entire world within each song and that concept has impacted me immensely when thinking about creating anything. Broader influences for me are definitely David Bowie (especially Berlin Trilogy era with Brian Eno), Skinny Puppy, Coil, the Birthday Party, Neubauten, Mark Lanegan, Throbbing Gristle.
15. What was it like playing the Mechanismus Festival? Describe your experience as both a fan and an artist.
Alex: It was definitely the most realized thing I had done with music to date, I haven’t been playing live shows for too long, and I’ve never played anything on that large of a scale before. It was really inspiring to see how large of a community there is around a genre that seems to get a little lost in the abyss of music in the PNW. Before we found Mechanismus, being fans of industrial music was really something we kept close to home. It was a real honor to be playing on a stage for Mechanismus after freshly becoming part of it. Sharing a stage with Leæther Strip, an artist whom I am a huge fan of, was the coolest.
E: So fucking awesome. Ali and Mechanismus have done so much for us, and I was floored when Ali initially asked us to play. Mechanismus is the kind of people who help every band load gear in the venue and still hang out until the bitter end.
16. What are Webdriver Torso’s future plans over the next 2 to 5 years?
Alex: Webdriver will tour Europe. We are going to keep making new material, keep expanding our set with new visual elements.
E: Like Alex said, we’d love to tour Europe. But also a small North American tour at some point before that. Like any band, we’d love to have label backing. I want to release vinyl copies of Listen_Die some day.
17. Any newer scene bands that you could recommend? Local or otherwise?
Alex: There is a new act out of the Seattle punk scene called Public Figure that just put out an EP, I’m really excited about it.
E: We have a amazing group of friends involved in music that support us endlessly, it would be difficult to get anywhere without the people around us. Mainly: Youryoungbody, Newaxeyes, Tengu Yawn, Glycerin, Bloom Offering, and Hand Model to name a few.
18. Is there any advice you can give any artists or bands who may be trying to get noticed in the Pacific Northwest industrial scene?
Alex: I really wish I knew, sometimes I feel like I exist on the periphery of whatever the PNW Industrial community is. I’d still be a stranger if I hadn’t gotten louder about bands I liked and making the music I liked to hear. In our early shows, we played with more traditional punk/rock/garage kind of bands; largely that was the community we were in. After our sets I thought people were either not going to care or just think we were weird. Turns out we caught people’s attention, and in a good way. The most surprising was to have people come up and say, “Holy shit you are making industrial music? I love it!” What I’m trying to say is being unabashed about whatever you are trying to communicate musically is likely going to be the best bet.
E: My advice is, be genuine. Do what you want and make the music you want to. No one is asking you to fit into a category or scene. Being an asshole will not benefit you. Respecting other bands, bar/venue staff, sound engineers, and audience is so important.
19. If you guys were NOT recording music and playing shows, what would you be doing with that extra time?
Alex: I’m the kind of person that is overloading on hobbies. If I had it my way I would have an airplane hangar with a woodshop and a bike shop and a welder and I’d be making all my own furniture and road-warrior doomsday vehicles. I usually have some sort of carpentry or mechanical project going on at all times. By trade, I am a Motion Designer, which is a fancy term for someone who makes cartoons with a computer. Because of that, I’m always tinkering with softwares and expanding my skill-set in the digital art world as well. My current focus is around 3D modeling and animation, hopefully soon that world and our music world can collide.
E: At one time I had aspirations of continuing a video art career, I would likely be doing that, it’s hard for me to not have a creative outlet. Other than that I’d be playing pinball, watching too much crime television, and adopting more animals (specifically a rabbit and a chinchilla). Definitely spending more time with my friends as well, luckily almost all of them play music so they understand.
20. Any final thoughts or comments for anyone reading this?
E: You’ll just have to wait and see what’s next for us!
Thanks again, guys! Be sure to check out their Facebook & like their page for event updates:
https://www.facebook.com/webdrivertorsoband/
And download their music – you will NOT be sorry you did!
https://webdrivertorso.bandcamp.com/
If there are any other local artists you’d like to learn more about, send us a message!
Alex: Well on top of the basics like Manson and Ministry like I mentioned before, I have an eclectic mix of music heros. Laurie Anderson has always been an big inspiration to me, she experimented with making her own tape and midi instruments, and her performances were intensely involved productions with a narrative, theatrics and really imaginative visuals. I really respect artists that can create a whole world around their music, and it’s something I aspire to do.
E: When we first started Webdriver I think I was listening to a lot of Clock DVA, Front 242, Nine Inch Nails, and Coil. Clock DVA is the kind of artist that has created a entire world within each song and that concept has impacted me immensely when thinking about creating anything. Broader influences for me are definitely David Bowie (especially Berlin Trilogy era with Brian Eno), Skinny Puppy, Coil, the Birthday Party, Neubauten, Mark Lanegan, Throbbing Gristle.
15. What was it like playing the Mechanismus Festival? Describe your experience as both a fan and an artist.
Alex: It was definitely the most realized thing I had done with music to date, I haven’t been playing live shows for too long, and I’ve never played anything on that large of a scale before. It was really inspiring to see how large of a community there is around a genre that seems to get a little lost in the abyss of music in the PNW. Before we found Mechanismus, being fans of industrial music was really something we kept close to home. It was a real honor to be playing on a stage for Mechanismus after freshly becoming part of it. Sharing a stage with Leæther Strip, an artist whom I am a huge fan of, was the coolest.
E: So fucking awesome. Ali and Mechanismus have done so much for us, and I was floored when Ali initially asked us to play. Mechanismus is the kind of people who help every band load gear in the venue and still hang out until the bitter end.
16. What are Webdriver Torso’s future plans over the next 2 to 5 years?
Alex: Webdriver will tour Europe. We are going to keep making new material, keep expanding our set with new visual elements.
E: Like Alex said, we’d love to tour Europe. But also a small North American tour at some point before that. Like any band, we’d love to have label backing. I want to release vinyl copies of Listen_Die some day.
17. Any newer scene bands that you could recommend? Local or otherwise?
Alex: There is a new act out of the Seattle punk scene called Public Figure that just put out an EP, I’m really excited about it.
E: We have a amazing group of friends involved in music that support us endlessly, it would be difficult to get anywhere without the people around us. Mainly: Youryoungbody, Newaxeyes, Tengu Yawn, Glycerin, Bloom Offering, and Hand Model to name a few.
18. Is there any advice you can give any artists or bands who may be trying to get noticed in the Pacific Northwest industrial scene?
Alex: I really wish I knew, sometimes I feel like I exist on the periphery of whatever the PNW Industrial community is. I’d still be a stranger if I hadn’t gotten louder about bands I liked and making the music I liked to hear. In our early shows, we played with more traditional punk/rock/garage kind of bands; largely that was the community we were in. After our sets I thought people were either not going to care or just think we were weird. Turns out we caught people’s attention, and in a good way. The most surprising was to have people come up and say, “Holy shit you are making industrial music? I love it!” What I’m trying to say is being unabashed about whatever you are trying to communicate musically is likely going to be the best bet.
E: My advice is, be genuine. Do what you want and make the music you want to. No one is asking you to fit into a category or scene. Being an asshole will not benefit you. Respecting other bands, bar/venue staff, sound engineers, and audience is so important.
19. If you guys were NOT recording music and playing shows, what would you be doing with that extra time?
Alex: I’m the kind of person that is overloading on hobbies. If I had it my way I would have an airplane hangar with a woodshop and a bike shop and a welder and I’d be making all my own furniture and road-warrior doomsday vehicles. I usually have some sort of carpentry or mechanical project going on at all times. By trade, I am a Motion Designer, which is a fancy term for someone who makes cartoons with a computer. Because of that, I’m always tinkering with softwares and expanding my skill-set in the digital art world as well. My current focus is around 3D modeling and animation, hopefully soon that world and our music world can collide.
E: At one time I had aspirations of continuing a video art career, I would likely be doing that, it’s hard for me to not have a creative outlet. Other than that I’d be playing pinball, watching too much crime television, and adopting more animals (specifically a rabbit and a chinchilla). Definitely spending more time with my friends as well, luckily almost all of them play music so they understand.
20. Any final thoughts or comments for anyone reading this?
E: You’ll just have to wait and see what’s next for us!
Thanks again, guys! Be sure to check out their Facebook & like their page for event updates:
https://www.facebook.com/webdrivertorsoband/
And download their music – you will NOT be sorry you did!
https://webdrivertorso.bandcamp.com/
If there are any other local artists you’d like to learn more about, send us a message!
